Original Collages

A selection of my favorite collages from the past few years, with a few close-ups to show detail.

Paper collages are between 4×2″ and 10×12″. Elements are from old magazines and secondhand photography books, cut with various craft knives and tiny scissors. Digital collages are all created in Photoshop using royalty-free images.

I’ve added short descriptions under each image; there’s usually a thought process or storyline behind each piece.

The Gathering (2023)
hand-cut 8 x 10"

Three dancers move through a forest clearing as a giant hand lowers a disco ball overhead. It’s either a ritual without an endgame or a show without an audience.

High Fashion (2025)
hand-cut 8 x 10"

A rose in heels on a roof. It is pretty. That is all.

Open House (2025)
hand-cut 10 x 8"

A surreal living room scene where giant butterflies drift in like houseguests from the cosmos. Domestic space meets deep space in a dreamlike interior.

Open House (2025) *detail*
hand-cut 10 x 8"

I particularly enjoy playing with depth and layers through overlapping elements.

Please, Have Mercy (2024)
hand-cut 8 x 10"

A skeleton kneels in prayer before a bunny-eared baby popping through a frame. The original art uses foamcore behind the baby's head to create a 3D effect where the head and ears actually pop out from the rest of the image.

Please, Have Mercy (2024) *detail*
hand-cut 8 x 10"

This collage started with the skeleton because they’re so satisfying to cut out, and ended up turning into something rather odd.

Blind Faith (2025)
hand-cut 6.25 x 8”

A blindfolded traveler walks into the unknown, unaware of lurking danger. A surreal take on the Tarot’s Fool, illustrating one who’s caught between naivety and instinct.

I created his bandana from scratch using four red pieces of paper.

Manning the Controls (2025)
hand-cut 6.25 x 8”

A suited man summons his fantasy from a glowing computer, blurring the line between illusion, desire, and projection.

This particular take on The Magician leans slightly more cautionary than aspirational.

Giddyup (2025)
hand-cut 6.25 x 8”

My take on the Chariot tarot card: a man carries his children on his back through the desert landscape.

Taken literally, the dad is his kids’ chariot. But more symbolically, this card’s themes include forward movement, trust, control, and balance, which are all quite apparent in the image.

A Perfect Match (2025)
hand-cut 6.25 x 8”

Two vintage dolls stand framed by a Lovers tarot card, holding hands against a bright seaside backdrop.

Upon closer inspection, some of their body parts are shuffled: swapped heads and a mismatched arm (the arm mainly because they couldn’t hold hands with the original hand’s angle). Boundaries of identity, gender, and romance are intentionally blurred here. Love is love.

Inflated Ego (2024)
hand-cut 10 x 12”

Hand-cut collage featuring a man's head floating above an empty red coat; tied like a balloon but slipping away from anything anchored in reality. It's a visual metaphor for an ego so inflated that it’s drifted from its grounded self; confident on the surface yet completely untethered.

The Great Escape (2022)
digital

Hot air balloons lift up and out of a gilded frame and blur the line between art and reality. I see this kind of image as a 2-dimensional way of breaking the 4th wall; like it’s subtly interacting with the viewer.

This digital collage explores the illusion of boundaries and those moments in life when a quick, confident sidestep (balloon-style, like the ones breaking out of the frame) can bring about seemingly unlimited possibilities.

Plumes (2024)
hand-cut 10 x 8”

A weathered man smokes a pipe on the moon, its plumes of smoke turning into a flock of seagulls. This hand-cut collage mixes the familiar with the surreal, combining routine coastal life with a bit of the unexpected.

Hand of God (2024)
hand-cut 8 x 10”

A giant hand from above reaches through a rocky desert arch to place a blooming cactus in a little cactus garden. Below, a small flock of sheep and two shepherds observe from the sand, adding a subtle human presence to a surreal moment.

Solo Travel (2023)
digital

A single duck glides across a star-filled lake, barely rippling the cosmos. This piece is a nod to that calm, grounded feeling of going it alone. Free from everyone else’s schedules, open to any curiosity that might spark. Any path. Any lunch, at any time.

Tuning in to the rhythm of a place and letting it carry you. Love a good solo trip.

Solo Travel II (2026)
digital

See Solo Travel (I) above for description. Same deal. Might do a series of these.

Persephone (2025)
digital

A woman’s hand reaches toward a skeletal one emerging from a mirror, referencing the myth of Persephone. Set in a field of wild grass just starting to turn for fall, this digital collage looks at boundaries: between life and death, choice and fate.

Nested Power (2025)
hand-cut 5 x 7"

Hand-cut collage showing a procession of nesting dolls descending a grand staircase, with a little guy in the back peeking out suspiciously.

Cosmic Tanlines (2022)
digital

Vintage pin-up gals in swimsuits lounge in a surreal desert dreamscape where the sand and rocky dunes meet a rainbow-colored nebula in the sky. A disco ball hovers like a second moon. There's no deeper meaning to this. It was one of my first digital collages and it was just fun to create and explore the possibilities.

Remote Viewing (2022)
hand-cut 5 x 5”

Floating TVs beam human eyes through space, blurring the line between observer and observed. Who’s looking at whom?

Gilded Remains (2024)
hand-cut 10 x 12”

A classical bust is fitted with a skull head, red hair, and gold necklace. This piece is an eye roll directed at vanity, decay, and all the dumb things people do when they try to outlast time. Your candle's out, sir.

Highway Patrol (2023)
hand-cut 5 x 7”

Two retro spacewomen stand under Nevada’s Extraterrestrial Highway sign, weapons raised. All around them, giant bugs throw their hands up in surprise… but nobody can really tell who startled who.

This hand-cut collage plays with mistaken identity, mirrored suspicion, and how awkward things get when everyone thinks they’re the normal one.

Think She’s Stuck? (2025)
digital

A butterfly appears onscreen, mid-scene in a nature show. Meanwhile, a few real butterflies have gathered around, clearly concerned. They seem to think their friend’s trapped in there. They don’t realize they’re just watching TV.

The Entomologist's Dream (2024)
hand-cut 4 x 2"

After a long day studying moths that look like they have eyes on their wings, an entomologist dreams of one staring back. This minimalist piece captures that space between science and symbolism, pairing insect anatomy with human awareness and dream logic.

King of the Concrete Jungle (2024)
hand-cut 8 x 10

A modern climber ascends a towering skyscraper under the stars, unaware he’s caught the eye of a giant gorilla on a neighboring building.

He's watched with a mix of disbelief and territorial annoyance - this was supposed to be *gorilla’s* moment. This hand-cut collage speaks to ego, rivalry, and the absurdity of one-upmanship.

Family Dinner (2023)
hand-cut 5 x 5"

A family gathers around a picture-perfect table (in what I assume is Italy), all eyes on the monstrous anglerfish being served. Behind them, an actual monster octopus slowly approaches over the hills. They don’t notice. Bet they will soon.

Inner Space (2023)
digital

This digital collage is a visual take on the gap between how someone appears and everything they’re actually carrying with them. The nebula represents that unseen inner universe: shaped by memories, patterns, and instincts, even if it's not fully known by the person holding it.

Cable Network (2023)
digital

A candy-colored carnival-type skyride drifts out of a vintage TV and into open space. This is another one of those moments where the image doesn’t stay put, it breaks out of its frame and blurs the line between scene and viewer.

It’s familiar, nostalgic, but something’s just a little off.

Unrequited Love (2022)
hand-cut 10 x 8"

Hand-cut collage meant to capture that particular kind of heartbreak where you're left on the shore, watching your hopes drift off in colorful balloons. Glamorous, untouchable, uninterested. Sometimes all you can do is sit with it. And then eventually, get back up.

Unrequited Love (2022) *DETAIL*
hand-cut 10 x 8"

This was the first skeleton I ever cut out. Learned a lot. Cutting the spaces between the ribs was an exercise in patience, steady hands, and remembering to breathe. Apparently I forget when I do detail work.